Antoine Bonfanti

Antoine Bonfanti (23 October 1923 - 4 March 2006) was a French sound engineer and a professor at cinema schools and institutes in France and other countries. He taught regularly at INSAS in Brussels and EICTV in Cuba, and occasionally at Fémis and ENSLL. He was born 26 October 1923 in Ajaccio, Corsica, and died 4 March 2006 in Montpellier, France. He began learning his profession as a trainee boom-operator on the film La Belle et la Bête by Jean Cocteau. He is considered as being one of the pioneers of direct-sound in film-making on location: “the school of direct-sound is French - said the sound-engineer Jean-Pierre Ruh- it began with Antoine Bonfanti”. He is characterised by his collaborations with directors as Bernardo Bertolucci, André Delvaux, Amos Gitaï, Jean Luc Godard, Joris Ivens, William Klein, Chris Marker, Gérard Oury, Alain Resnais, René Vautier, and Paul Vecchiali. His primary occupation is the authenticity of sound: above all he likes building the whole universe of sound of one film, through every stage from filming to sound-mixing (that means the live-sounds, the ambiances in location and after the sound-effects, the dubbing and the mixing in auditorium). In this pattern, he had 120 films of which 80 feature films. Otherwise, his filmography includes about 420 titles of long and short Films of fiction or documentary; and within this number, some can be still missing because - as involved in cinema as in politics - Antoine did lots of "for free" that, may be, haven't been listed. Member of the Résistance and, after, volunteer soldier in the war-years 1943-1945; militant, communist by spirit, vigilante, he is part of SLON collective - which later becomes ISKRA - and of the Medvedkine-groups. He shared his sound-artist's talent and he has trained several generations of sound-engineers in many countries (Algeria, Angola, Argentina, Chile, Cuba, Morocco, Mozambique, Peru, Portugal, Tunisia, Venezuela), where to make of the cinema is a matter of fight. The film "Antoine Bonfanti - Traces sonores d’une écoute engagée" by Suzanne Durand, reconstitutes a professional path of more than 50 years which demonstrate a commitment going far-beyond the simple trade and his collaboration with a lot of film-makers; it is also an original approach of the sound's practical. He recounts it himself also, interviewed by Noël Simsolo in a transmission on France-Culture, called "Mémoire du siècle, Antoine Bonfanti" on 20 August 1997, and broadcast during "Les Nuits de France-Culture" at midnight of 25 January 2016. Antoine, nicknamed "Nono" by his Corsican family, "Toni" by his war comrades, "Bonbon" within the world of cinema, was born in Ajaccio in 1923. The family leaves again for Africa in 1926, having already spent some years in Conakry in "République de Guinée", (formerly "Guinée française"). His father is "receveur principal des postes" in Bobo-Dioulasso in Burkina-Faso (formerly "Haute-Volta"). Antoine spends some of his youth there but, when his eldest brother must go to high-school, the family returns to Corsica, before his father be appointed "percepteur" (tax-collector) at Saint-Rambert d’Alban, and after at Touquet-Paris-Plage. ... Source: Article "Antoine Bonfanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Crew

The Sucker
Sound Engineer
The Panafrican Festival in Algiers
Assistant Director, Sound
Lucky Luke: Daltons on the Loose
Mixing Engineer
The Madwoman of Toujane
Sound
Up to His Ears
Sound Engineer
Bird of Paradise
Sound Recordist
Mr. Freedom
Sound
Rosa Negra
Sound Editor
To Be Twenty in the Aures
Sound
Le voyage d'Amélie
Sound
The Unvanquished
Sound
Gloria Mundi
Sound Editor
Band of Outsiders
Sound
Yawar fiesta: Fiesta de sangre
Sound mixer
We shall have the whole of death to sleep
Sound Mixer
Pierrot le Fou
Sound
Hu-Man
Sound Mixer
The Man Who Had His Hair Cut Short
Sound
One Night... a Train
Sound
Utopia
Sound
The House of the Bories
Sound Mixer
Simone Barbès or Virtue
Sound Re-Recording Mixer
Guerre du peuple en Angola
Director
Love Is Gay, Love Is Sad
Sound Mixer
Zig Zig
Sound
Don't Look Now... We're Being Shot At!
Sound
Muriel, or the Time of Return
Sound
The Married Woman
Sound
The Killing Game
Sound
Santa Claus Has Blue Eyes
Sound Mixer
The People and Their Guns
Sound
Je T'Aime, Je T'Aime
Sound
Notre mariage
Sound Mixer
Les jonquilles
Sound, Mix Technician
Je suis Pierre Rivière
Sound Engineer
Instinct de femme
Mixing Engineer
Rosa la rose, fille publique
Sound Mixer
The Ambassadors
Sound
Guys in the Cafe
Sound
Bay of Angels
Sound
Far from Vietnam
Sound
Met Dieric Bouts
Other
Oxalá
Sound Mixer
The Insomniac on the Bridge
Sound Designer
Le temps d'Emma
Sound
Life Lesson
Sound Mixer
The Inner Scar
Sound
Amougies (Music Power - European Music Revolution)
Sound Mixer
India Song
Sound Mixer
Ana
Sound Mixer
Sweet Movie
Sound Mixer
Les Ajoncs
Sound
Djerrahi: une cérémonie soufie
Sound
Last Exit Before Roissy
Sound Director
The Lovely Month of May
Sound
2 or 3 Things I Know About Her
Sound
La Charnière
Director
Three
Sound
I Love You, I Don't
Sound
Sans Soleil
Sound Mixer
The Judge
Foley Recordist
Fragile as the World
Sound Designer
A Question of Rape
Sound Mixer
The Vertical Smile
Sound
Carnaval de Guinée Bissao
Sound
La Fin des Pyrénées
Music
Earthen Man
Sound Mixer
Silent as a Fish
Sound Mixer
The War Is Over
Sound
Salut la puce
Sound Mixer
West Indies
Sound
The Theatre of the Matters
Sound
Tout Va Bien
Sound
Who Are You, Polly Maggoo?
Sound Recordist
Le rouge de Chine
Sound
Repórter X
Sound Mixer
Rocky Road to Dublin
Sound Engineer
Un soupçon d'amour
Sound
Delusions of Grandeur
Sound
Happiness
Sound Assistant
Magritte or the Object Lesson
Sound Engineer
C'est la vie !
Sound
La Machine
Sound
Method 1
Sound Engineer
Matar Saudades
Sound, Sound Mixer
Joy House
Sound Designer
The Moving-Picture Man
Sound
If I Had Four Dromedaries
Sound
Raging Fists
Sound
Last Tango in Paris
Sound Engineer
Struggle in Italy
Sound
Vladimir and Rosa
Sound
Le rose et le blanc
Sound Mixer
Day for Night
Sound Mixer
Aide-mémoire... pour une autre histoire
Sound
Be Seeing You
Sound, Production Assistant
Daguerréotypes
Sound