Robert Fischer

Cast

Daniel, the Wizard

Kurosawa and the Censors

Crew

Monsieur Truffaut Meets Mr. Hitchcock

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Writer, Director of Photography, Director, Producer, Sound, Editor

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Director, Writer, Producer

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Writer, Director

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Of Love and Constraints

Contract Kid: William Reynolds on Douglas Sirk

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Director, Writer

Acting for Douglas Sirk

Editor, Producer, Director

Kurosawa and the Censors

Associate Producer

Ted Kotcheff's Gourmet Cinema

Writer, Director, Editor, Producer

Fassbinder in Hollywood

Director, Writer

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Requiem for a Killer: The Making of 'Blast of Silence'

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

Traveling Roadshow

Jack Arnold Remembers The Incredible Shrinking Man

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Director, Writer

Touching Death: Alejandro Amenábar on 'Tesis'

Director of Photography, Editor, Writer, Producer, Director

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Director, Producer

Program Notes: An Introduction To The Last Detail By Alexander Payne

Producer, Editor, Director, Camera Operator

Starting Out: The Making of Jerzy Skolimowski's Deep End

A Winter's War: Keith Gordon on 'A Midnight Clear'

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Editor, Director, Producer

Hans Fromm on 'Phoenix'

Producer, Editor

Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss

Editor, Producer

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Sound, Writer, Editor, Producer, Director, Cinematography

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Producer, Writer, Editor, Director

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Director, Camera Operator, Editor, Writer, Producer, Sound

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Editor, Producer

Budd Boetticher on the Ranown Cycle

Before Taking Off: Milos Forman’s Road to America

Writer, Director

Perspectives on Othello: Joseph McBride on Orson Welles

Producer, Director, Writer, Editor

Will He Live or Will He Die: Walter Hill on Southern Comfort

Weimar on the Pacific

Consulting Producer

Consulting Producer

Homay King on 'Shanghai Express'

Consulting Producer

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

Director, Writer, Producer, Editor

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

The Beast Inside: Creating 'Wolf'

Director, Writer

Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited

Director, Writer

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Producer, Director, Editor, Sound, Writer, Camera Operator

Making an American Movie

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Director, Editor, Writer, Producer

Reviving Harry Lime

Swan Song: The Story of Billy Wilder's Fedora

Writer, Director

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Director, Producer, Cinematography, Writer, Editor

A Tribute to Douglas Sirk by Allison Anders

Producer, Cinematography, Editor, Writer, Director

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Editor, Producer

Le Plaisir: From Script to Screen

Producer, Editor

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Producer, Editor

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Editor, Writer, Director, Director of Photography, Sound

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Editor, Producer

Working with Max Ophuls: Robert Christidès, Set Decorator

Editor, Producer

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir

Working with Max Ophuls: Annette Wademant, Co-Writer

Producer, Editor

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Producer, Editor

Working with François Truffaut: Nestor Almendros, Director of Photography

Editor, Producer

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Writer, Director, Editor, Producer

Dalton Trumbo: Rebel in Hollywood

Director, Writer

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

Director, Editor

'Deep End': Remembering the Deleted Scenes

Writer, Director

Life As It Is: Miloš Forman on Miloš Forman

Return to Beethoven Street: Sam Fuller in Germany

Director, Writer

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Director, Writer

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

Writer, Director

The Fury: A Location Journal

Director, Writer

Erinnerungen an 'Väter und Söhne'

Producer, Director, Writer

Outer Movement, Inner Movement

The Making of Highlander

Expedition Amazonia

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'