Maxime Alexandre

Maxime Alexandre was born in Renaix, Belgium, 1971. At five years old, he moved to Rome, Italy, with his mother, sisters, and brother. His stepfather, Inigo Lezzi (during that period A.D. for Marco Bellocchio, Gianni Amelio, and Nanni Moretti), let Maxime discover the Italian cinema sets one by one. Maxime soon worked as a young actor in several movies, including "Une Page d'Amour" directed by Elie Chouraqui, with Anouk Aimée and Bruno Cremer and Nanni Moretti's "Bianca" in 1984. A few years later, Maxime discovered his Photography passion on a set of a short-movie directed by his stepfather. In the late 1980s, Maxime moved with his family to Paris, where he began his career in the camera department working in commercials, learning from great Cinematographers like Darius Kondji, J.Y. Escoffier, P. Lhomme, Vilko Filak, and Italian cinematographers including Tonino Delli Colli and Franco Di Giacomo. His earliest work as a Director of Photography was shooting the second unit of a commercial for Michel Gondry. In 2001, Maxime met Alexandre Aja and Gregory Levasseur, working in the second unit for Aja's father, Alexandre Arkadi, on the movie "Break of Dawn" written by Aja and Levasseur. The three collaborated on Aja's directorial debut, "High Tension," two years later. The movie was internationally recognized as the beginning of the French New Wave of horror in the 2000s and was picked up for distribution by Lions Gate Films. Maxime, Alexandre, and Gregory collaborated again on the remake of "The Hills Have Eyes" and "Mirrors." During the making of Hills Have Eyes, Maxime met Wes Craved, with whom he worked on "Paris, Je T'aime," an anthology film that grouped works from Alexander Payne, The Coen Brothers, Vincenzo Natali, and others, and the film was selected to screen at Un Certain Regard at the Cannes Film Festival, the second time for Maxime after "Marock," a movie directed by Laila Marrakchi in 2005. In 2006, Maxime was recognized by Variety as one of its Ten Cinematographers to Watch. Several other films have followed, including P2, directed by Franck Khalfoun; The Crazies, by Breck Eisner; The Voices, directed by Marjane Satrapi; The Crawl, by Alexandre Aja; Shazam, by David F. Sandberg and soon-to-be-release Never let go by Alexandre Aja and Paris Paradis by Marjane Satrapi.

Crew

The Last Drop
Director of Photography
High Tension
Director of Photography
Paris Je T'aime
Director of Photography
Oxygen
Director of Photography
Resident Evil: Welcome to Raccoon City
Director of Photography
The Hills Have Eyes
Director of Photography
Mirrors
Director of Photography
The Crazies
Director of Photography
Christopher Roth
Director, Writer, Director of Photography
Maniac
Director of Photography
Holy Money
Director, Writer, Director of Photography
The Voices
Director of Photography
Dear Paris
Director of Photography
P2
Director of Photography
Earth to Echo
Director of Photography
The Cello
Director of Photography
Role Play
Director of Photography
The Devil's Dosh
Director of Photography
Lady of Csejte
Director of Photography
The End
Cinematography
Mixed Marriage
Director of Photography
Grotto
Director of Photography
The Warriors Gate
Director of Photography
The 9th Life of Louis Drax
Director of Photography
Annabelle: Creation
Director of Photography
Never Let Go
Director of Photography
Shazam!
Director of Photography
The Nun
Director of Photography
Silent Hill: Revelation 3D
Director of Photography
Until Dawn
Director of Photography
Countdown
Director of Photography
Crawl
Director of Photography
Come Play
Director of Photography
Catacombs
Director of Photography
Marock
Director of Photography
The Other Side of the Door
Director of Photography
The Defender
Director of Photography
Crawl 2
Director of Photography
Frontier Crucible
Director of Photography
The Wilding
Director of Photography
Orphans
Director of Photography
The Rif Lover
Director of Photography