Julie Sussman

Sniffing Out ‘Polyester’

Passion Project

(There Is No) Cure

Ozu & Noda

Where It Began: The Origins of WALL·E

A Visit to the Pixar Living Archive

Anatomy of a Scene: The Plant

The Way of Folk

Weimar on the Pacific

Dietrich Icon

Homay King on 'Shanghai Express'

Functions of Film Sound

Evan Dalton Smith on Andy Griffith

Ron Briley on 'A Face in the Crowd'

Jay Cocks and Farran Smith Nehme on 'The Heiress'

Sharon Malone and Eric Holder

Andrew Cohen on Crisis and Its Outtakes

Robert Drew & Associates at the Museum of Tolerance

Erik Skjoldbjærg and Stellan Skarsgard on 'Insomnia'

Emotional Uncertainties

Giving Up the Ghost

Miranda July: Where it Began

Jackie Coogan: The First Child Star

John Bailey on Freddie Francis

Making Mishima

Producing Mishima

The Highest Standards — Shih Chun on A Touch of Zen

The Reluctant Lead — Hsu Feng on A Touch of Zen

A Touch of Art — Ang Lee on King Hu

Art-house Martial Arts — Tony Rayns on A Touch of Zen

Shooting 'Blood Simple'

Something in the Air: Making "sex, lies, and videotape"

Cliff and Larry: Beginnings

Generators, Noise Reduction, and Multitrack Audiotape

No Boundaries: A Cure Conversation

In Her Own Image: Kelley Conway on Agnès Varda

Manthia Diawara on 'Black Girl'

M’Bissine Thérèse Diop on 'Black Girl'

Samba Gadjigo on Ousmane Sembène

Manthia Diawara on 'Borom Sarret'

Revisiting 'Black Orpheus'

Black Orpheus and That Bossa Nova Sound!

A New Way of Seeing: B. Ruby Rich on Chantal Akerman

'The Cranes are Flying' and Soviet Cinema

Light in the Darkness: The Impact of Night of The Living Dead

In Her Own Words