Ernie Gehr

"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.” (from NYTimes profile by Manohla Dargis.  Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)

Crew

Side/Walk/Shuttle
Director
Serene Velocity
Director
Wait
Director
Table
Director
Auto-Collider XVIII
Director
Auto-Collider XX
Director
History
Director
Still
Director
Passage
Director
Morning
Director
New York Central
Director
Signal - Germany on the Air
Director
Eureka
Director
Reverberation
Director
Mirror of Dreams
Director
Floating Particles
Director
Brewster, MA
Director
Undertow
Director
Back in the Park
Director
Untitled
Camera Operator, Editor, Director
Transparency
Director
Mist
Director
Crystal Palace
Director
Departure
Director
ABRACADABRA
Director
Rear Window
Director
Hurry Up Henrietta
Director
Along Brighton Beach Avenue
Director
Carnival of Shadows
Director
Field
Writer, Director
Auto-Collider
Writer, Director
Thank You for Visiting
Writer, Director
Lisa and Suzanne
Director
Bon Voyage
Director
Better than Ever
Director
A Commuter's Life (What a Life!)
Director
New York Lantern
Director
Photographic Phantoms
Director
Shift
Director
Waterfront Follies
Director
For the Birds
Director
Precarious Garden
Director
Auto-Collider XV
Director
20 Little Films
Director
Lisbon Views
Director
Carroll Gardens
Director
What’s Up!
Director
High-Wire Act
Director
Through the Hoops of Time
Director
Chambers of Time
Director
Work in Progress
Director
Pedestrian Activities
Director
In Slumberland (Thanks to Winsor McCay)
Director
Mechanical Magic Lantern Slides II
Director
Creatures of the Night
Director
Delirium
Director
Medicine Cabinet
Director
As If
Director
Cotton Candy
Director
Water Spell
Thanks
Sensations of Light, #7
Director
Brooklyn Series
Director
Picture Taking
Director
Autumn
Director
Transport
Director
The Quiet Car
Director
Essex Street Market
Director
Mirage
Director
Surveillance
Director
Street Scenes
Director
Behind the Scenes
Director
This Side of Paradise
Director
For Daniel
Director
The Astronomer's Dream
Director
Glider
Director
Greene Street
Director
Noon Time Activities
Director
Modern Navigation
Director
Workers Leaving the Factory (after Lumière)
Director
Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows
Director
Flying Over Brooklyn
Director
Before the Olympics
Director
The Morse Code Operator (or The Monkey Wrench)
Director
Cinematic Fertilizer – 1
Director
Construction Sight
Director
Sunday in Paris
Director
City
Director
Winter Morning
Director
Shadow
Director
The Collector
Director
Aproposessexstreetmarket
Director
Circling Essex Crossing
Director
By Rail, To Boston
Director
South Station
Director