
Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.
Crew
Luigi Malerba
Director, Writer
Antonio Marchi
Director, Writer

Marco Ferreri
Writer, General Manager
Attilio Bertolucci
Writer

Eraldo Da Roma
Editor
Marisa Mengoli
Assistant Editor

Gianni Di Venanzo
Director of Photography
Luciana Momigliano
Producer
Enrico Magretti
Production Assistant
Alessandro von Norman
Production Assistant
Erico Menczer
Camera Operator
Pier Paolo Piccinato
Post Production Assistant
Maurizio Serra
Costumer, Set Decoration
Dante Trani
Makeup Artist
Rino Carboni
Makeup Artist
Eraldo Giordani
Sound
Giulio Panni
Sound
Franco Ferrara
Music Director
Teo Usuelli
Music Arranger, Music
Sandro Somarè
Musician
Vincenzo Del Prato
Set Designer
Giuseppe Loprete
Production Manager
Otto Pellegrini
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