
Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
Cast
Recommendations
view all
Mo' Better Blues

O'Dessa

Hounddog

Battle of the Year

The Royal Siren

Star Wars: The Rise of Skywalker

Star!

A Night at the Opera

One Chance

Silk Stockings

Cadillac Records

Brigadoon

Suburbia

Metallica: Through the Never

The Tales of Hoffmann

Taylor Swift: Reputation Stadium Tour

Mayerling

Jersey Boys

Coyote Ugly

Black Is King








