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In the films Untitled (#6), Untitled (#7) (both 1972–6) and Untitled (#8) (1976–7) images of cells mix with galaxies, underlining the circular shape as a crucial element of Palolo’s work.
In the films Untitled (#6), Untitled (#7) (both 1972–6) and Untitled (#8) (1976–7) images of cells mix with galaxies, underlining the circular shape as a crucial element of Palolo’s work.