'Thinking machines' and 'people thinking as machines' (super-computerprogrammers who have internalized computerese) are perhaps two of a kind. But clashes with the 'real world' are preprogrammed for these machines of flesh and blood. The film traces humankind's striving to discover itself again in its mechanical creations, from the effort to construct automatons in Switzerland some 200 years ago, to a pinnacle display of the 1980ies achievements: a robot playing Haydn's 'Genesis' at the World Expo in Japan.
Crew
Oliver Herbrich
Director, Screenplay
Romy Schumann
Editor
Ludolph Weyer
Cinematography
Isolde Herbrich
Production Assistant
Paul Carmine
Mixing Engineer
Benedikt Röskau
Sound Recordist
Andreas Hofner
Sound
Laurie Anderson
Music
Harald Kißling
Production Accountant
Petra Vonhausen
Still Photographer
Jan Betke
Technical Supervisor
Peter Rosenwanger
Title Designer